2022

Antoinette, M., 2022, ‘Endurance and Overcoming in the Performance Art of Melati Suryodarmo’. In Melati Suryodarmo: I am a Ghost in My Own House. Berlin, Germany: BOM DIA BOA TARDE BOA NOITE & Bonnefanten Museum, pp.117-49 (Dutch; English)

Antoinette, M., 2022, In Storytellers of Art Histories: Living and Sustaining a Creative Life, Patel, A. K. & Siddiqui, Y. (eds.). Bristol, UK: Intellect Ltd, pp. 9-14.

Antoinette, M., Ho, O. & Cheung, C., 2022, ‘The Art of Demonstration: A New Public Art in the City of Hong Kong: Michelle Antoinette interviews Oscar Ho and Clara Cheung’, in Let's Go Outside: Art in Public. Day, C., Morton, C. & Spiers, A. (eds.). Monash University Museum of Art (MUMA), pp. 214-235.

2021

Ngo, P. & Antoinette, M., 2021, Untitled No. 82 (Collaborative racist paintings) (detail), 2020.

Antoinette, M. & Maravillas, F., 2020, ‘Positioning contemporary art worlds and art publics in Southeast Asia’. In: World Art. 10, 2-3, p. 161-189 29 p.

Antoinette, M., 2020, ‘Vanishing acts: remembering 5th Passage in Singapore’s contemporary art history (a story about making art public)’. In: World Art. 10, 2-3, p. 323–350 28 p.

2019

Antoinette, M., 2019, ‘Collaging Asia: Asia Art Archive as Shaper of Knowledge’, Shaping Knowledge, Melbourne, Vic, Australia: Monash University Museum of Art and Perimeter Editions. 8 p.

Antoinette, M., 2019, ‘Culture Boom: China's Artscape Now, and the Making of a New Art Public’, in The Centre - On Art and Urbanism in China. Aitken, A., Maidment, S., McEoin, E. & Patty, M. (eds.). Melbourne, Vic, Australia: National Gallery of Victoria, p. 148-163 16 p.

Antoinette, M., 2019, ‘Mella Jaarsma’, Canberra, ACT, Australia: National Gallery of Australia. 2 p.

Antoinette, M. & Dirgantoro, W., 2019. Shaping Geographies: Art | Woman | Southeast Asia

2018

Antoinette, M., 2018, ‘Making Art (A Public) Matter in Asia: The Social Intervention Aesthetics of Tintin Wulia in Hong Kong.’ In: Public Art Dialogue. 8, 2, p. 258-289 32 p.

Antoinette, M., 2018, ‘See Like a Heretic: On Vision and Belief’ Singapore: Gajah Gallery. 26 p.

2017

Antoinette, M., 2017, ‘Endurance and Overcoming in the Art of Amron Omar and Melati Suryodarmo: Invoking Uncommon Alignments for Contemporary Southeast Asian Art History’. In: Southeast of Now: Directions in Contemporary and Modern Art in Asia. 1, 1, p. 81-129 49 p.

Antoinette, M., 2017, ‘Monstrous Territories, Queer Propositions: Negotiating 'The Asia Pacific Triennial of Contemporary Art', between Australia, the Philippines, and Other (Island) Worlds’. In: Asian Diasporic Visual Cultures and the Americas. 3, 1-2, p. 54-85 32 p.

Antoinette, M., 2017, ‘The Shifting Art-Historical Field for Southeast Asia’. In Shaping the History of Art in Southeast Asia, p. 92-100 9 p.

Antoinette, M., 2017, ‘The study of Asian art in Australia’, IIAS Newsletter, 76, Spring, p. 15 1 p.

2015

Antoinette, M., 2015, ‘Interpreting art collections through the politics of mobility’. In: Transfers: Interdisciplinary Journal of Mobility Studies. 5, 1, p. 137-138 2 p.

Antoinette, M., 2015, Khaled Sabsabi: MUSH, Sydney, NSW, Australia. Khaled Sabsabi artist website.

2014

Antoinette, M. & Turner, C., 2014, Contemporary Asian Art and Exhibitions: Connectivities and World-making, Canberra, ACT, Australia: The Australian National University. 278 p.

Antoinette, M., 2014, ‘Epilogue - 'My future is not a dream': Shifting worlds of contemporary Asian art and exhibitions’. In Contemporary Asian Art and Exhibitions: Connectivities and World-making, Antoinette, M. & Turner, C. (eds.). Canberra, ACT, Australia: The Australian National University, p. 233-254 22 p.

Antoinette, M., 2014, Fire and Light - Recent works by Savanhdary Vongpothoorn, Paddington, NSW, Australia: Martin Browne Contemporary. 4 p.

Antoinette, M., 2014, Introduction Part 2 - Asia present and resonant: Themes of connectivity and world-making in contemporary Asian art. In Contemporary Asian Art and Exhibitions: Connectivities and World-making, Antoinette, M. & Turner, C. (eds.). Canberra, ACT, Australia: The Australian National University, p. 23-45 23 p.

Antoinette, M., 2014, ‘Owen Leong’, Singapore: Singapore Art Museum. 4 p.

Antoinette, M., Reworlding Art History: Encounters with Contemporary Southeast Asian Art after 1990, Amsterdam, Netherlands: Rodopi. 592 p.

2013

Antoinette, M., 2013, Different Visions: Contemporary Malaysian Art and Exhibition in the 1990s and Beyond - SM - 'Narratives in Malaysian Art Volume II', Reactions - New Critical Strategies: Narratives in Malaysian Art, Khairuddin, N. H., Yong, B. & Sabapathy, T. K. (eds.). Kuala Lumpur: RogueArt, Vol. 2. p. 166-185 20 p.

Turner, C. & Antoinette, M., 2013, ‘Introduction: The World and World-Making in Art’. In: Humanities Research. 19, 2, p. 1-9 9 p.

Antoinette, M., 2013, ‘The Seventh Asia Pacific Triennial Of Contemporary Art’, ArtAsiaPacific, 82, p. 114-115 2 p.

Antoinette, M., 2013, Wawasan_Wawasan Berbeza: Karya dan Pameran Seni Rupa Kontemporari Malaysia pada 1990-an dan tahun-tahun berikutnya. Translated title of the contribution: ‘Different Visions: Contemporary Malaysian Art and Exhibition in the 1990s and Beyond’. In Reaksi-Strategi Kritikal Baru: Naratif Seni Rupa Malaysia, Khairuddin, N. H. & Yong, B. (eds.). Kuala Lumpur: RogueArt, Vol. 2. p. 194-217 24 p.

Choy, L. W., Antoinette, M., Bywater, J., Cruz, J., McIntyre, S., Mejia, V., Toh, J. & Tonga, N., 2013, ‘Where I’m Calling From: A Roundtable on Location and Region’. In: Reading Room: a journal of art and culture. 6, 13, p. 104-123 20 p.

2012

Antoinette, M., 2012, ‘An expanded questionnaire on the contemporary: part II’, Asia Art Archive.

Antoinette, M., 2012, ‘Negotiating Home, History and Nation, Singapore Art Museum’ Art Monthly Australia, 248, p. 37-39 3 p.

Stanhope, Z. E. & Antoinette, M., 2012, ’The World and World-Making in Art: Connectivities and Differences’. In: World Art. 2, 2, p. 167-171 5 p.

2011

Antoinette, M., 2011, ‘Asian Modernities: Chinese and Thai art compared, 1980 to 1999 [Book review]’. In: Asian Studies Review. 35, 4, p. 544-546 3 p.

Antoinette, M., 2011, ‘Reflections on an Art House: Two Decades of Rumah Seni Cemeti’, Art Monthly Australia, 244, p. 68-70 3 p.

2009

Antoinette, M., 2009, ‘Contending with Present Pasts: On Developing Southeast Asian Art Histories’. In Crossing Cultures: Conflict, Migration and Convergence: Proceedings of the 32nd International Congress of the History of Art, Anderson, J. (ed.). Melbourne, Vic, Australia: The Miegunyah Press, p. 870-874 5 p.

Antoinette, M., 2009, ‘The art of race: Rethinking Malaysian identity through the art of Wong Hoy Cheong’. In Race and Multiculturalism in Malaysia and Singapore. Routledge, p. 191-212 22 p.

2008

Antoinette, M., 2008, ‘A space for 'Asian-Australian' art: Gallery 4A at the Asia-Australia Arts Centre’. In: Journal of Australian Studies. 32, 4, p. 531-542 12 p.

Antoinette, M., 2008, ‘Intimate pasts resurrected and released: Sex, death, and faith in the art of José Legaspi.’ In: Biography: An Interdisciplinary Quarterly. 31, 1, p. 133-161 29 p.

2007

Antoinette, M., 2007, ‘. . . and Malaysia?’, Asia Art Archive, p. 1-8 7 p.

Antoinette, M., 2007, 'Deterritorializing Aesthetics: International Art and its New Cosmopolitanisms, from an Indonesian Perspective'. In Cosmopatriots: On Distant Belongings and Close Encounters. Jurriens, E. & de Kloet, J. (eds.). Rodopi, p. 205-233 29 p.

Antoinette, M., 2007, 'On Collecting': The 5th Asia-Pacific Triennial of Contemporary Art, Artlink: Australian contemporary art quarterly, 27, 1, p. 97-99 3 p.

Antoinette, M., 2007, ‘Outside Looking In: Impressions of Hong Kong's Contemporary Art Scene’, Eyeline, 64, Spring, p. 47-51 5 p.

2005

Antoinette, M., 2005, ‘DIFFERENT VISIONS: Contemporary Malaysian Art and Exhibition in the 1990s and beyond’. In Art and Social Change : Contemporary Art in Asia and the Pacific, Turner, C. (ed.). Pandanus Books, p. 229-252 24 p.